暂无剧情简介

暂无剧情简介

Dramatizations of various social issues and ethical dilemmas are presented for the viewer to ponder the resolutions themselves.

An uncredited Jean-Luc Godard produced this 1997 third feature by the singular American independent Rob Tregenza, and along with Hungarian filmmaker Bela Tarr, Godard is certainly a presiding guru over this powerful if enigmatic view of life in and around a psychiatric hospital somewhere in rural, snowbound America. Shot by Tregenza himself (one of the best cinematographers on the planet) in black-and-white 35-millimeter ‘Scope — mainly in extremely long, choreographed takes that transpire with a minimum of dialogue but with an extremely inventive and original Dolby sound track — the film offers not so much a plot in the usual sense as a series of interlocking characters and events governed, like the film’s title, by polarities: sound and image, interior and exterior, sanity and madness, freedom and institutional captivity, society and isolation. According to clues planted in the clothes and decor (especially the cars), the action begins around 1945 and ends in the present or near future, but to confuse matters further the characters and their behavior remain unaging constants. Tregenza’s background in existential philosophy serves him well: every shot comprises an event, and most of them were shot only once, in a single take, allowing change and contingency to shape the material. Art conceived as both adventure and confrontation, Inside/Out requires a certain amount of creative energy from the audience but grandly repays the effort.

An agoraphobic must give up his sheltered life and venture outside after a series of personal and financial problems.

Families in an idyllic suburban neighborhood are taunted by a mysterious doctor who moves in to town and spins a web of psychological chaos that changes their lives forever.

It's an iconic line in any crime story: when a suspect is arrested and gets to make one call. In reality, once a person enters the criminal justice system, there are multiple opportunities to make calls while awaiting trial. The vast majority of those calls are recorded. An admission, a threat, a slip of the tongue, a bribe -- it's all on tape and the suspect knows it, but this doesn't always prevent people from talking and talking. Jailhouse phone calls are used to frame the narrative of murder investigations steeped in mystery.

Inside Out In The Open is an hour-long documentary about a form of jazz, popularly known as free jazz. The film is an exploration of that music through the voices and performances of over twenty such musicians, from those who were its first generation to younger musicians joining the tradition.

Documentary celebrating 50 years of The Good Life.

Carmen Altamirano was buried alive at 2 years old by her parents. 30 years later, she will have to dig up her past.